Cover Reveal & Book Giveaway: The International Yeti Collective – Paul Mason (Illustrated by Katy Riddell) – Out 17th October 2019!

Today, I’m absolutely ecstatic to exclusively reveal the cover of Paul Mason’s first book in a brand new series that combines adventure, empathy, and global thinking, The International Yeti Collective (illustrated by Katy Riddell and designed by Sophie Bransby) which will be published on 17th October 2019 by Stripes.


The International Yeti Collective

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“Without wilderness there is no yeti…there is much more behind our thirst for monsters than curiosity or escapism. There is the fear that the earth is losing the last regions where myths can flourish.”

Reinhold Messner, Mountaineer


Ella is trekking through the Himalayas with her broadcasting-explorer uncle searching for yeti, but what seems like the adventure of a lifetime is cut short when she realizes that these secretive creatures might not want to be found. Tick knows it’s against yeti law to approach humans, so when some arrive on the mountain, why does he find himself peering through the trees to get a closer look? Unbeknownst to them, their actions will set off a series of events that will threaten the existence of yeti all over the world. How can they make things right?


The International Yeti Collective draws on the worldwide myths of yeti, Bigfoot and Sasquatch, to create a fully realized society of hidden creatures on the edge of the human world. Packed with humour and excitement, this is a thrilling adventure with friendship at its heart, and with strong ecological themes – yetis help nature and keep the world in balance. Mason deftly highlights environmental conservation issues throughout this story, a subject that resonates very deeply with him and also with his readership of future change-makers, who have climate change, habitat destruction, and sustaining our planet at the forefront of their concerns.


Beautifully illustrated throughout by Ka­­ty Riddell, daughter of former Children’s Laureate Chris Riddell, The International Yeti Collective is the first in a brand new series that combines adventure, empathy, and global thinking.


Praise for The International Yeti Collective

“As a biologist, I can neither confirm nor deny the existence of yetis. To do so would endanger them the world over. This book taps into the secret lives of our mythical and very hairy cousins and takes us on an adventure like no other. Tick and his hairy friends show us what it means to work together and why we need to save the world.”

 – Professor Ben Garrod, author of ‘The Chimpanzee and Me’

 “By turns funny, moving, and action-packed, THE INTERNATIONAL YETI COLLECTIVE is a fast-moving adventure with a meditative, philosophical heart. Perfect for fans of H.S. Norup’s THE MISSING BARBEGAZI.”

– Sinéad O’Hart, author of ‘The Eye of the North’ and ‘The Star-Spun Web’

 “Super excited and looking forward to this SO much. October can’t come soon enough to see this on the shelves; one of my most eagerly anticipated releases of the year!”

– Scott Evans, @MrEPrimary

“A delightful tale of yetis, bravery and protecting nature.  This is a fast-paced, heart-warming adventure.”

– Erin Hamilton, @erinlynhamilton


RRP £6.99
ISBN 9781788950848
Format Paperback
Publisher Stripes
Age 9 – 12


Paul Mason

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Photo: Emma Hughes

Paul Mason was born in London, has travelled the world, and now lives in a cottage on an island in New Zealand, with his wife and children. He has written a dozen children’s books, and some of his stories are now being used by the University of Auckland to encourage new teachers to include sustainability in their classrooms. Find Paul online: Instagram: @writerpaulmason, and Web: www.paulmasonwriter.com.


Katy Riddell

Katy Riddell grew up Brighton and was obsessed with drawing from a young age. Plenty of encouragement from her parents, both artists and illustrators, led her to spend hours writing  and illustrating her own stories, which her father (former Children’s Laureate Chris Riddell) collected throughout the years.  Since graduating with a BA Hons in Illustration and Animation from Manchester Metropolitan University, Katy has worked on a variety of commissions including Pongwiffy by Kaye Umansky and Midnight Feasting by A.F. Harrold. She loves working with children, and currently runs an art club at her local school. She lives and works in Manchester.

Find Katy online: Facebook: @kriddellillustration, and Instagram: @katyriddell_illustration.


The International Yeti Collective is available to pre-order online now from Amazon, Hive, Waterstones or from any good independent bookshop.


Huge thanks to Leilah, Paul, Katy and all at Stripes for inviting me to host this stupendously good cover reveal, I am more than YETI to get my hands on a copy!


Mr E

📚


Giveaway!

The very lovely people at Stripes have kindly given me five copies of The International Yeti Collective to give away!

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If you’d like to be in with a chance of being one of the first people to read this beautiful story, simply retweet (RT) this tweet!

Copies will be sent to winners when available from Stripes, as soon as possible.

Author Q&A & Giveaway!: My Cousin is a Time Traveller – David Solomons (Illustrated by Robin Boyden)

Today, I’m absolutely delighted to welcome David Solomons, author of the award-winning and incredibly popular and successful My Brother is a Superhero series, to The Reader Teacher to answer my questions to celebrate the publication of the fifth and final book in the series, My Cousin is a Time Traveller, published by Nosy Crow on 27th June 2019.


My Cousin is a Time Traveller (5)

  • At The Reader Teacher, for my reviews, I describe books in #3Words3Emojis.
    Which 3 adjectives and 3 corresponding emojis would you choose to best describe My Cousin is a Time Traveller?

    1. Superpowered
    2. Toasted
    3. Concluding

And if anyone can tell me where to find emojis in Word, that’d be super.

  • How does it feel to bring your hugely successful My Brother is a Superhero series to an end with My Cousin is a Time Traveller?

Satisfaction tinged with sadness. I began writing these books when I became a dad for the first time, and in so many ways the series is bound up with my kids. Also, these books have changed my life, giving me an unexpected midlife change of career, so there’s inevitably some sadness in saying goodbye (to the series, not my career). However, I thoroughly enjoyed the challenge of creating a fitting ending.

  • What was the most enjoyable part of writing My Cousin is a Time Traveller?

Knowing that I was heading towards a final full stop was refreshing. It helped to focus the various plot strands and gave me a sense of freedom while I was writing.

  • In My Cousin is a Time Traveller, Luke discovers that his cousin can time travel (not really a spoiler alert with that title, haha!). If you could time travel, would you go forwards or backwards in time and why?

Definitely forwards in time! The past was way too dangerous. I’m terribly short-sighted and I wouldn’t have lasted two minutes before the invention of spectacles. I’d have been the straggler at the back, easy prey to every snackish sabre tooth tiger.

  • If you were to choose the character that is most like you from My Cousin is a Time Traveller, who would it be and why?

A particularly apt question for this novel, since Luke and the others receive a school visit from an author who is not unlike me. In a horribly metafictional and rather sentimental tactic, I wrote myself into the narrative so that I could say goodbye personally to my lovely characters.


Reading and Writing (4)

  • How has writing the My Brother is a Superhero series and the Doctor Who books been both similar and/or different for you?

A significant difference is the voice. My Brother is a first-person narrative told from the pov of an eleven-year-old boy. With Dr Who I use a limited third-person pov. There’s a bit of head-hopping, but most chapters are from a single character’s perspective, with one notable exception. I purposefully avoid seeing through the Doctor’s eyes. I wanted to keep her mysterious, alien, a bit unknowable.

  • In terms of upcoming work in progresses and writing your next book for children, can you share with us any of what you have planned next?

I’m working on a new funny book for Nosy Crow, but the details are top secret for now! There’s another Dr Who on the way. It’s entitled the Maze of Doom, and there might be a Minotaur loose on the London underground, among other things.

  • Hearing your book titles never fail to make me laugh. Children in all my classes have loved them. They must be some of the most brilliant in the children’s book world. How do you come up with them? What appears first in your mind: the title or the story?

First off, thank you! Frankly, they’re a nightmare to come up with. And it’s my fault, since I created a rod for my own back. I vividly remember the meeting to discuss the first sequel. I was the twit who insisted that each subsequent novel must follow the My X is a Y format. Have you noticed recently that for this age group propositional titles work very well. You could call it the ‘It Does What It Says on the Tin’ approach. Lots of The Boy WhoThe Train to… The House with… Charlie Changes into… My Brother is… With so many books on offer, the title has to work hard and fast. Tell them what it’s about, at a glance.

  • Currently, we seem to be living in a golden age of books, especially that of children’s literature. Can you recommend any other children’s books to children (and adults!) who may be interested in similar themes explored in your books or any that have read and would recommend?

I’m going to defer to you on this one – you read many more books for this age than I do. And I tend to avoid anything that’s like my own stuff. However, I do wonder if we’re living in a golden bubble. No question that there are lots of fabulous books published every month, and passionate people like you tweet about them, so that when I dip into this world it feels as if those books are everywhere. But sadly that doesn’t reflect the wider world. One of the things I have a gentle pop at in My Cousin is a Time Traveller is the whole celebrity-authored children’s book industry. My five cents: if a child is going to read one book a year, it would be better for that book to be one of the best published that year, and not one bought solely on the celebrity of its author. Not that I know how to make that happen! All brilliant suggestions, on the back of a ten-pound note, to my home address, please.


My Cousin is a Time Traveller and Teaching (3)

  • If you were to ‘pitch’ My Cousin is a Time Traveller in a sentence for teachers to use it in their classrooms or for parents to choose to read it at home, how would you sum it up?

What if the smart appliances in your home got so smart that they decided to take over the world?

Or

What if the Terminator was a four-slice toaster?

  • Could you suggest ways in which My Cousin is a Time Traveller or any of the other books in the My Brother is a Superhero series could be used in the classroom for the many teachers and primary school staff that will read this and wish to use them in their schools?

Is it OK to say I feel a sense of weariness when I read this question? I don’t write issue-driven books, or set my stories in curriculum-friendly historical milieux. When teachers want to engage a certain kind of boy, they might latch onto the superhero theme. But my experience tells me that funny books are a hard sell in the classroom. In the same way that they’re excluded from literary prizes (don’t get me started), they’re often overlooked as a teaching resource. By definition, they lack seriousness. However, I am deadly serious when I write. I wring out every drop of creativity and technique in my effort to make the books effortlessly funny. How about taking a passage that makes you laugh and digging into it? Change a word or word order in a sentence. Is it still funny? Funnier? What about the POV? Often I create humour out of the gap between the character’s perception of the world and the reader’s. Look at language. Some words are like comedy magic – inherently funny. I call it the Guacamole Effect. What I’m saying is: treat humour seriously!

  • For those teachers reading this Q&A and would like to enquire about arranging the opportunity of a school visit from yourself, how would it be best to contact you regarding this?

Please get in touch with Nosy Crow (press@nosycrow.com) for anything Superhero related. And Penguin for Dr Who stuff.


Two more before you go (2)!

  • What has an interviewer or blogger never asked you before, that you always wished you could answer?

I’m grateful that bloggers are kind, gentle and circumspect in their questioning, because I fear that the wrong (right?) question might unleash a tirade.

  • Finally, can you share with our readers something about yourself that they might be surprised to learn?

I have a mole… in my back garden. I’m like some dastardly moustache-twirling villain from a 1970s cartoon in my attempts to off the furry menace. And as in those cartoons, I always fail. Meep-Meep!


One last one… (1)!

  • Do you have a question you would like to ask the readers of The Reader Teacher?

What would encourage you to use my books in your classroom?


Thank you David for answering my questions!


Giveaway!

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I have kindly been given TEN Nosy Crow POS packs for My Cousin is a Time Traveller featuring a copy of the new book and plenty of resources, bunting, badges and display materials to give away!

If you’d like to be in with a chance of being one of ten lucky winners of this very special giveaway and this utterly brilliant series-ender, simply retweet (RT) this tweet!


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Be sure to check out the rest of the My Cousin is a Time Traveller blog tour for more exclusive guest posts & Q&As from David and content & reviews from these brilliant book bloggers!

Cover Reveal & Book Giveaway: Anna at War – Helen Peters (Illustrated by Daniela Terrazzini) – Out 4th July 2019!

Today, I’m absolutely thrilled to exclusively reveal the cover of Helen Peters’s brilliant and moving wartime adventure, Anna at War (illustrated by Daniela Terrazzini) which will be published on 4th July 2019 by Nosy Crow.

I’m even more delighted that the team at Nosy Crow have produced a glittering GIF to show off the cover in all its glory!

I’m also super happy because the very lovely people at Nosy Crow have given me three proof copies of Anna at War to give away! Find out more below!


Anna at War

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Carrie’s War meets When Hitler Stole Pink Rabbit via John Le Carre

As life for German Jews becomes increasingly perilous, Anna’s parents put her on one of the last trains leaving for England. But the war follows her to Kent, and soon Anna finds herself caught up in web of betrayal and secrecy. How can she prove whose side she’s on when she can’t tell anyone the truth? But actions speak louder than words, and Anna has a dangerous plan…


 Extract: 

I walked back to the barn. We had left the door slightly ajar, and I slipped through the gap. My plimsollsmade no sound on the dirt floor. I heard sounds from the loft, as though the injured man was rummaging in his haversack. He was muttering to himself. My stomach turned over. I stopped dead still.No. It couldn’t be. I must have heard wrong.I stayed completely still, listening, my heart thumping. He was still rummaging, but he had stopped muttering. Something rolled across the loft and dropped over the edge on to the barn floor. The man swore.My blood froze in my veins.He had sworn in German.


• Important message about emigration and war wrapped up in a thrilling adventure story.

• Helen Peters is the natural heir to Philippa Pearce.

• A fantastic new standalone novel by Helen Peters, author of the Jasmine Green series, The Secret Hen House Theatre (shortlisted for Waterstones Children’s Book Prize) and The Farm Beneath the Water.


Editor says:

“This is a brilliant book –a double whammy of entertainment and enlightenment, with a few tears shed on the way. Helen Peters is the new Philippa Pearce.”

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Helen Peters

Helen-Peters-2-593x593.jpg(Photo credit: https://nosycrow.com/contributors/helen-peters/)

Helen Peters grew up on an old-fashioned farm in Sussex, surrounded by family, animals and mud. She spent most of her childhood reading stories and putting on plays in a tumbledown shed that she and her friends turned into a theatre. After university, she became an English and Drama teacher. Helen lives with her husband and children in Brighton.


Daniela Terrazzini

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(Photo credit: https://www.theartworksinc.com/portfolio/daniela-terrazzini/)

Daniela Terrazzini studied Fine Art in Milan. Her contemporary take on a classic style has a beautiful originality and quality, and she has worked with publishers including Crabtree, Puffin, Penguin, Chronicle and Macmillan.


Anna at War is available to pre-order online now from Amazon, Hive, Waterstones, WHSmith or from any good bookshop.


Huge thanks to Helen, Rebecca and all at Nosy Crow for inviting me to host this super cover reveal, I can’t wait to get my hands on a copy!


Mr E

📚


Giveaway!

The very lovely people at Nosy Crow have kindly given me three copies of Anna at War to give away!

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If you’d like to be in with a chance of being one of the first people to read this stunning story, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Nosy Crow, as soon as possible.

Blog Tour (Review & Giveaway!): Runaway Robot – Frank Cottrell-Boyce (Illustrated by Steven Lenton)

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‘Storytelling at its snortingly-funny, hugely enjoyable and heartily-emotional best… a little bit warm and wise, a little bit tender and touching; there is a LOT to love about this book.’

Rating: ⭐⭐⭐⭐⭐

Title: Runaway Robot
Author: Frank Cottrell-Boyce (@frankcottrell_b)
Illustrator: Steven Lenton (@StevenLenton)
Publisher: Macmillan (@MacmillanKidsUK)
Page count: 288
Date of publication: 2nd May 2019
Series status: N/A
ISBN:978-1509851775

Perfect for Year 4, Year 5 and Year 6.

#3Words3Emojis:
1. Robot 🤖
2. Hand ✋
3. Friendship 🤝


Eric is six foot six.
He likes to sing.
He’s super polite.
He does as he’s told.
He’s made of metal.
He’s magnetic when anxious.

He’s not easy to miss.

But today there’s no sign of him.

Eric says if you lose something, try to retrace your steps.
So these are my steps…


Review:

Main character Alfie prefers to ‘swerve’ school and spends his days hanging out at the airport which to him is a far more impressive place. Besides this, Alfie is part machine. Part bionic. Handless. Or I should say that he has a hand of a different kind altogether, as the worker at the airport soon finds out. Originally losing his right hand in a serious accident that Alfie has little memory about, he then *loses* his hand again at the airport and so sets off to retrieve it. Starting with airport lost property.

Trying to locate a hand at lost property proves to be more difficult than one may initially think, especially when hand recognition is more like… um… glove recognition. Finding a giant robotic hand that neither looks or feels like it’s going to fit him then suggests that this story could be about to go down the wrong path for Alfie but this accidental discovery changes him in more ways than one because it introduces him to Eric. Slightly lumbering. Quite ungainly. But as anybody reading this book will tell you: THE WORLD’S MOST POLITE ROBOT.

In need of a friend (and I could be talking about both Alfie or Eric here!), Alfie brings Eric home. Unfortunately for him, a recent ban placed on the acquisition of humanoid robots could soon change all this. Will Alfie continue to break the law and be able to keep his new friend safe…? And will Eric be the one who helps Alfie to fill those gaps in his memory, his heart and be the bond that brings everything together…?

Inspired by a trip to the robot exhibition at the Science Museum and his love for all things sciencey, spacey and technological, Frank achieves another guaranteed and humorous hit with Runaway Robot. With his charismatic wit and the characterful illustrations of Steven Lenton that really bring this terrific tale all so engagingly to life, this is sheer exuberant storytelling at its snortingly-funny, hugely enjoyable and heartily-emotional best. It’s all in the delivery and timing of Frank’s writing that within these words, jokes are more than jokes. The perfect mixture of hope, humanity and heart that we’ve all come to grow to love from reading his books. A little bit warm and wise, a little bit tender and touching; there is a LOT to love about this book. Especially its ending.

If anybody asks you to read this book, you tell them I AM YOUR OBEDIENT SERVANT.

Although after reading this, if they ask you a question, you might have to say SORRY, I AM UNABLE TO ANSWER THAT QUESTION.


‘Storytelling at its snortingly-funny, hugely enjoyable and heartily-emotional best… a little bit warm and wise, a little bit tender and touching; there is a LOT to love about this book.’


Biggest thanks to Amber, Frank, Steven and all at Macmillan for giving me the wonderful opportunity to have an early read of this magnificently funny book and for providing copies for the giveaway!

Mr E


Giveaway!

The very lovely people at Macmillan have kindly given me three copies of
Runaway Robot to give away!

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If you’d like to be in with a chance of winning a copy of Runaway Robot, simply retweet (RT) this tweet!

Cover Reveal & Book Giveaway: The Frozen Sea – Piers Torday (Illustrated by Ben Mantle & designed by Samuel Perrett) – Published 5th September 2019

I’m so excited to be able to reveal the cover of Piers Torday’s incredible second instalment in the The Lost Magician series, The Frozen Sea (which has been brilliantly illustrated by Ben Mantle and designed by Samuel Perrett) which will be published on 5th September 2019 by Hachette.

I’m also super happy because the very lovely people at Hachette have given me five proof copies of The Frozen Sea to give away near to publication day!

Find out more below!


The Frozen Sea

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‘If you can imagine it, it exists … somewhere.’ 

The second incredible instalment of a spellbinding fantasy adventure from the bestselling, award-winning author of The Last Wild trilogy.

It is 1984 and forty years since Simon, Patricia and Evelyn and Larry first stepped through a magical library door into the enchanted world of Folio. When Patricia’s daughter, Jewel, makes a mysterious discovery in an old bookshop, she begins a quest that will make her question everything she thought she knew. Summoned to Folio, she must rescue a missing prince, helped only by her pet hamster and a malfunctioning robot.

Their mission to the Frozen Sea will bring them face-to-face with a danger both more deadly and more magnificent than they ever imagined.

What Jewel discovers will change not just who she thinks she is, but who we all think we are…


Publisher: Hachette Children’s Group
ISBN: 9781786540768
Number of pages: 352 


Piers Torday

 

I was born in 1974, in Northumberland, which is possibly the one part of England where more animals live than people.

My father Paul worked for the family engineering business in Newcastle, while my mother Jane ran a children’s bookshop in Hexham called Toad Hall Books. Alongside my younger brother Nick, I spent my very early years crawling around on the floor of that shop, surrounded by piles of books right from the start.

I was extremely lucky to come from a writing background. My grandfather Roger Mortimer was a racing journalist who wrote hundreds of very funny letters to his children and grandchildren, and you can learn the extraordinary story of his life in Dearest Jane, by him and my mother, Jane.

I enjoyed reading, writing and drawing from an early age. My parents loved reading to me, and I particularly enjoyed books with good pictures – such as the Moomin stories by Tove Jansson, The Hobbit by J R R Tolkien and Hergé’s Tintin graphic novels. Other favourites included Roald Dahl, C. S. Lewis’s Narnia series and Wind in the Willows by Kenneth Grahame. My mother was always writing as I was growing up – newspaper articles, gardening and cookery books, local history – and it seemed a normal thing to want to do.

My first cartoon, aged 7,  was about a superhero called Super Sid, which won a competition in a local newspaper. Then I started making comics, and my first one was about all the sheep who lived on the hills around us, called…The Sheep! At school, I spent most of my time in the library or the computer room, where I wrote short stories and funny articles for the school magazine.  Then I went to university, where I was meant to study English but mainly wrote, directed or produced plays and comedy shows.

My first job, in 1996, was in a fringe theatre in London, The Pleasance, where I started working behind the bar but was eventually allowed to read a few scripts and then help choose what plays were put on, both in London and at their Edinburgh Fringe Festival venue.  I was very fortunate to be a Trustee for the last 15 years.

Then I co-ran a theatre production company, touring new plays and promoting comedians. I also worked in TV for several years, including a short spell in Los Angeles, coming up with ideas for everything from reality shows to hidden camera pranks.

On a break between TV jobs one summer in 2008, I booked myself onto an Arvon writing course at Ted Hughes’s old house on the West Yorkshire moors, and it was there I began writing the adventures of a boy called Kester who can’t talk to people but can talk to animals, in an environmentally precarious world.

Finally, after 17 drafts, and many early mornings and late nights later, The Last Wild was published in 2013 by Quercus Children’s. It was nominated for the Carnegie Award shortlisted for the Waterstones Children’s Book Prize, the UKLA Award, and won both Stockton Children’s Book of the Year and Calderdale Children’s Book of the Year. The book has been published in 13 other countries, including the USA.

That same year, I married Will Tosh, an academic.

In 2014, the sequel to The Last Wild, The Dark Wild,  came out, and won the Guardian Children’s Fiction Prize. The third and final book in the series, The Wild Beyond came out in 2015, and was shortlisted for Islington Book of the Year.

After my father died in 2013, I found his last unfinished novel (a political thriller for adults) amongst his papers. With the agreement of my brother and his agent and editor, I finished the book for him , and The Death of an Owl was published in 2016 by W&N.

That Christmas, my fourth book for children,  There May Be A Castle was published by Quercus Children’s. It was a Children’s Book of the Year in The Times and has just come out in paperback.  You can also read some new short stories by me in Winter Magic (curated by Abi Elphinstone), Wisp of Wisdom and Scoop magazine.

I also occasionally write articles and book reviews for The Guardian, The Daily Expressand The Spectator, amongst others. I have judged the Guardian Children’s Fiction Prize, and the Costa Book Award.

My adaptation of John Masefield’s classic The Box of Delights  opened at Wilton’s Music Hall in London last Christmas, directed by Justin Audibert, designed by Tom Piper, starring Matthew Kelly and Josefina Gabrielle and was revived in Christmas 2018 starring Theo Ancient, Nigel Betts and Sarah Stewart.

I am now delighted to also be an Associate Artist at Wilton’s.

I am passionate about the opportunities for imaginative futures that reading allows, and have been a trained Reading Helper with Beanstalk Reads for five years, working with children on their reading on my local primary schools.

I am delighted to be a Patron of Reading at the inspirational St. Silas’s in Toxteth, Liverpool, and am a Trustee of the Ministry of Stories, a charity which works with children in East London and further afield to enable their creativity and storytelling skills in multiple different forms.

I am also a Patron of the magnificent Shrewsbury Book Fest, a visionary book award, festival and school outreach scheme all in one.

My latest book is called The Lost Magician, and was published in September 2017.

I am currently also working on the sequel to that book, alongside a new play and a new film, but spend most of my time wrangling our very naughty – but adorable – puppy, Huxley.


Ben Mantle

Ben was born in Leamington Spa in 1980, and developed a very early interest in things artistic, designing programme covers for school productions and even coming first in his local library colouring-in competition. From there he went on to study animation at Surrey Institute of Art & Design, graduating in 2003.. He then gained valuable experience working on Tim Burton’s “Corpse Bride” before moving to Brighton to work as ‘Head of Animation’ in a media company, focusing on Character and Background design.

He was also part of the Animation team creating the BAFTA winning ‘Big and Small’ CBeebies website. Since 2008, Ben has been working as a Children’s Book Illustrator from his shared studio in Brighton and he also produces screen prints and digital artwork to exhibit. He illustrated ‘Callum’s Incredible Construction Kit’ which won the Bishop’s Stortford Picture Book prize 2013.


Samuel Perrett

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Photo credit:https://uk.linkedin.com/in/samuel-perrett-8735a177/de

Samuel Perrett is Senior Designer at Hachette Children’s Group.
He also designed the cover for Piers Torday’s The Lost Magician and many more bestselling books from Hachette.


Pre-order: The Frozen Sea is available to pre-order now online at AmazonWaterstones or from any good independent bookshop.


Biggest thanks to Piers, Emily and all at Hachette for giving me the wonderful opportunity to reveal this stunning and spellbinding cover and for providing copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Hachette have kindly given me five copies of The Frozen Sea to give away!

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If you’d like to be in with a chance of winning a copy of The Frozen Sea, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Hachette, as soon as possible near to publication day.

Cover Reveal & Book Giveaway: Fire Girl, Forest Boy – Chloe Daykin (Illustrated by David Litchfield) – Published 4th July 2019

I’m so excited to be able to exclusively reveal the cover of Chloe Daykin‘s third children’s novel, Fire Girl, Forest Boy (which has been brilliantly illustrated by David Litchfield) which will be published on 4th July 2019 by Faber Children’s.

I’m also super happy because the very lovely people at Faber have given me five proof copies of Fire Girl, Forest Boy to give away so you can be one of its very first readers!

Find out more below!


Fire Girl, Forest Boy – Chloe Daykin
(Illustrated by David Litchfield)

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A book about light, about magic and belief, and about unlocking your own potential, from the critically acclaimed author of Fish Boy and The Boy Who Hit Play.

Maya has to escape. She’s on the run in a country she doesn’t know and has no idea who to trust. Raul is escaping too – travelling back to his home where a terrible tragedy happened, ready to stir up trouble. When their paths collide in the middle of the jungle, the sparks begin to fly. As modern world corruption meets the magic and legends of ancient times, can Maya draw on her hidden light to find the way through to the truth?


Chloe Daykin

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Photo credit: https://felicitybryan.com/fba-author/chloe-daykin/

 

Chloe won a ARHC studentship to study the MA in Creative Writing at Newcastle University where she graduated with distinction, winning the universities taught masters prize and Northern Writers Award to write her debut novel Fish Boy. Fish Boy was published by Faber & Faber in 2017 to critical acclaim and was nominated for the Carnegie Medal, long listed for the UKLA and is currently shortlisted for the Branford Boase children’s debut of the year award.

Chloe won the wonderful inaugural Julia Darling Fellowship to research her second novel The Boy Who Hit Play, travelling around the wild icy land of Norway and its many beautiful islands, published in 2018.

In December Chloe journeyed across the otherworldy land of Peru thanks to the fantastic support of the Arts Council England. Her third novel, Fire Girl, Forest Boy, is due to be released in July 2019.

Chloe Daykin lives in Northumberland with her family including one husband, two boys and three cats. She loves an unusual adventure and is a fan of all things fun, poetic and surprising.


David Litchfield

 

David Litchfield is a multi-award winning illustrator and author represented by the Bright Agency.

David first started to draw when he was very young, creating Star Wars and Indiana Jones ‘mash up’ comics for his older brother and sister. Since then David’s work has appeared in magazines, newspapers, books and on T-shirts. He has also exhibited his illustrations in both solo and group shows in the U.K, Europe and America.

David’s  author/illustrator picture books ‘The Bear & The Piano’  ‘Grandad’s Secret Giant’ and ‘The Bear, The Piano, The Dog & The Fiddle’ are out now.

He has also illustrated a number of picture books for authors such as Ross Montgomery, Andy Stanton and Sally Lloyd-Jones as well as book covers for David Almond, Kate Dicamillo, Neil Patrick Harris and many more.

David lives with his family in Bedford, England.


Pre-order: Fire Girl, Forest Boy is available to pre-order now online at AmazonWaterstones or from any good independent bookshop.


Biggest thanks to Sarah and all at Faber for giving me the wonderful opportunity to reveal this gorgeously colourful cover and for providing proof copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Faber have kindly given me five proof copies of Fire Girl, Forest Boy to give away!

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If you’d like to be in with a chance of being one of the first readers to read Fire Girl, Forest Boy, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Faber, as soon as possible.

Cover Reveal & Book Giveaway: The Monster Who Wasn’t – T. C. Shelley (Illustrated by Claire Powell) – Published 8th August 2019

I’m so excited to be able to exclusively reveal the cover of T. C. Shelley‘s debut children’s novel, The Monster Who Wasn’t (which has been brilliantly illustrated by Claire Powell) which will be published on 8th August 2019 by Bloomsbury Children’s.

I’m also super happy because the very lovely people at Bloomsbury have given me five proof copies of The Monster Who Wasn’t to give away so you can be one of its very first readers!

Find out more below!


The Monster Who Wasn’t – T. C. Shelley
(Illustrated by Claire Powell)

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A brilliantly rich and strange fantasy adventure that will make us all believe in monsters  be they good, bad or somewhere in between.

It is a well-known fact that fairies are born from a baby’s first laugh. What is not as well documented is how monsters come into being 

This is the story of a creature who is both strange and unique. When he hatches down in the vast underground lair where monsters dwell, he looks just like a human boy – much to the disgust of everyone watching. Even the grumpy gargoyles who adopt him and nickname him ‘Imp’ only want him to steal chocolate for them from the nearby shops. He’s a child with feet in both worlds, and he doesn’t know where he fits.

But little does Imp realise that Thunderguts, king of the ogres, has a great and dangerous destiny in mind for him, and he’ll stop at nothing to see it come to pass…


The first book in a deeply magical fantasy adventure trilogy for 9+ readers.

Perfect for fans of The House with Chicken Legs, The Spiderwick Chronicles and The Uncommoners.


T. C. Shelley

T.C. Shelley studied Creative Writing and Literature at university. She has been teaching English for over twenty years and her first school was classified as the most remote in Australia. She loves an audience and long before she took up teaching was writing and performing her poetry and short stories. She began writing novels to entertain her daughter, who wisely suggested that she try to get them published. Shelley lives with her husband, her daughter and two dogs in Perth, Western Australia.

The Monster Who Wasn’t is her first novel.

You can find out more about T. C. by following her on Twitter: @TCShelley1.


Claire Powell

Life for Claire began in a cupboard under the stairs. Not as punishment like Harry Potter, it’s where she went to draw. Her parents sensing her love for drawing, turned the closet into an art den and it’s where Claire could always be found… until she got too big to fit that is.

Claire is now an illustrator, writer and designer who lives and works in London. Her clients include: Bloomsbury, Simon and Schuster, Hodder, Little Tiger, Harper Collins, Apple, Vital Arts, BBC, UKTV, Nickelodeon and DreamWorks Animation.

You can find out more about Claire on her website or by following her on Twitter: @misspowellpeeps.


Pre-order: The Monster Who Wasn’t is available to pre-order now online at AmazonWaterstones, Hive or from any good independent bookshop.


Biggest thanks to Emily Marples and all at Bloomsbury for giving me the wonderful opportunity to reveal this gorgeously magical cover and for providing proof copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Bloomsbury have kindly given me five proof copies of The Monster Who Wasn’t to give away!

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If you’d like to be in with a chance of being one of the first readers to read The Monster Who Wasn’t, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Bloomsbury, as soon as possible.

Cover Reveal & Book Giveaway: The True Colours of Coral Glen – Juliette Forrest (Designed & Illustrated by Jamie Gregory) – Published 4th July 2019

I’m absolutely delighted to be able to reveal the cover of Juliette Forrest‘s second children’s novel, The True Colours of Coral Glen (designed & illustrated by Jamie Gregory) which will be published on 4th July 2019 by Scholastic.

I’m also super happy because the very lovely people at Scholastic have given me five copies of The True Colours of Coral Glen to give away! Find out more below!


The True Colours of Coral Glen – Juliette Forrest
(Cover design & illustration by Jamie Gregory)

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An astonishingly inventive, spooky and heartfelt story of a girl on a race- against-time, gothic-tinged treasure hunt. Coral sees the world around her through a rainbow of colours not visible to others – a day full of adventure is Treasure Island Gold but one with a maths test is Stormy Canyon Grey. When her beloved grandma dies, Coral can’t conjure the colour to match how heartbroken she is.

She must go on a spooky adventure full of witches, ghosts and other things lurking around the corners of her not-so-ordinary-after-all town…


Price: £6.99
Publication Date: 4th July 2019
ISBN: 9781407193229
Pages: 304


  • The Guardian said of Juliette’s debut, TWISTER: “If you only read one children’s book this summer, make it this one.”
  • Hugely imaginative storytelling at its finest, with themes of grief and the supernatural.
  • Building on Juliette’s profile with special media and blogger mailings, plus a programme of events in schools and at festivals.
  • Engaging social assets highlighting the importance of colour within the story.
  • For fans of Neil Gaiman’s THE GRAVEYARD BOOK, Sophie Anderson’s THE HOUSE WITH CHICKEN LEGS and Helena Duggan’s A PLACE CALLED PERFECT, this is a stunning story told in Juliette’s completely original voice.
  • Praise for TWISTER:
    “a soaring fantasy with a down to earth heroine” – The Guardian,
    “an unusual, gutsy and invigorating fantasy with a compelling narrative voice” – The Metro

Juliette Forrest

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Photography by Susan Castillo (Image credit: https://www.julietteforrest.co.uk/about)

 

After finishing school, Juliette left Scotland for the bright lights of London where she trained as an art director and worked in the creative departments of advertising agencies, winning awards for her TV, radio, press and poster campaigns. Wanting a life of adventure, she packed her bags and travelled around the world, where she stayed with the Karen people in Thailand, dived the Great Barrier Reef, explored Malaysian jungles, visited the Po Lin Monastery on Lantau Island in Hong Kong and hared across America on the Greyhound Bus. Winning a New Writers Award from Scottish Book Trust gave Juliette the support she needed to complete her first novel Twister, which was snapped up by Scholastic and published in February 2018. The rights to it have now been sold in France, Holland and Romania. Juliette is extremely proud to be Writer in Residence at All Saints Primary and has been offered Spring Residency at Moniack Mhor, Scotland’s Creative Writing Centre. When she’s not freelancing as a copywriter, she can be found at her laptop, typing her next book, rather clumsily. Juliette is at her happiest exploring the great outdoors with her rescue dog – even though she has a sneaking suspicion he is the one taking her for a walk.

The True Colours of Coral Glen is Juliette’s second book for children.


Jamie Gregory

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(Image credit: https://uk.linkedin.com/in/jamie-gregory-a896812a)

Jamie Gregory is the Design Manager at Scholastic UK. His most recently designed and illustrated covers include redesigned covers of Philip Reeve’s Mortal Engines series (illustrated by Ian McQue), Alice Broadway’s Ink (designed by Andrew Biscomb and Elizabeth B. Parisi), Karen McCombie’s Catching Falling Stars and State of Sorrow by Melinda Salisbury.


Pre-order: The True Colours of Coral Glen is available to pre-order online at AmazonWaterstones or from any good independent bookshop.


Big thanks to Juliette, Lorraine and all at Scholastic for giving me the wonderful opportunity to reveal this beautiful cover and for providing copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Scholastic have kindly given me five copies of The True Colours of Coral Glen to give away!

The True Colours of Coral Glen high-res cover

If you’d like to be in with a chance of winning a copy one of this utterly brilliantly sounding story, simply retweet (RT) this tweet!

Copies will be sent to winners when available from Scholastic, as soon as possible.

Cover Reveal & Book Giveaway: The Dragon in the Library – Louie Stowell (Illustrated by Davide Ortu) – Out 6th June 2019!

Today, I’m absolutely thrilled to exclusively reveal the cover of Louie Stowell’s eagerly-awaited first novel in her new The Dragon in the Library series, The Dragon in the Library which will be published on 6th June 2019 by Nosy Crow.

I’m even more delighted that the team at Nosy Crow have produced an awesome GIF to show off the cover in all its glory!

I’m also super happy because the very lovely people at Nosy Crow have given me three proof copies of The Dragon in the Library to give away! Find out more below!


The Dragon in the Library

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Kit can’t stand reading. She’d much rather be outside, playing games and getting muddy, than stuck inside being quiet with a book. But when she’s dragged along to the local library at the start of the school holiday by her two best friends, she makes an incredible discovery: the local library is run by wizards … and she’s one too! The youngest wizard ever, in fact.

But someone is threatening to tear down the library and disturb the powerful magical forces living beneath it. And now it’s up to Kit and her friends to save the library… and the world.

Aimed at younger readers aged seven to nine, the series will have black and white illustrations throughout.

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  • The first book in a highly imaginative, fantastically exciting and accessible new series for 7+.
  • A great message on the power of books, reading and libraries.
  • Illustrated throughout by rising star Davide Ortu.

Louie Stowell

sjmimyia_400x400(Photo credit: https://twitter.com/Louiestowell)

With a solid background commissioning non-fiction for children Louie Stowell – who is Editorial Director at Ladybird – is also a dab hand at writing non-fiction books for children.  As well as having an in-depth knowledge of everything from computer coding to spaceships, she also draws cartoons online (and in the occasional zine) and runs comics workshops at literary festivals and in schools. Louie grew up in London, obsessed with comics, playing at elves in caves in Kent, and running feral in the scrubland by the Thames. She now lives in Hackney with her wife and their dog, Buffy, who is small and fluffy and highly unlikely to slay vampires, unless they’re getting between her and some bacon. Louie’s first novel will be published in 2018, with subsequent books coming six months apart.

(https://www.greenhouseliterary.com/authors/louie-stowell/)

Find out more by following Louie Stowell on Twitter: @Louiestowell


Davide Ortu

(Photo credit 1: http://www.milan-illustrations.com/product/artists/ortu-davide/)
(Photo credit 2: https://twitter.com/Ortu_Ilustrador)

Davide is an Italian artist. He lives in Spain and is represented by Beehive Illustration.

Soon after earning his diploma at ‘Foiso Fois’ Arts High School in Cagliari, Sardinia, he takes up a career as an advertising graphic designer. 

At the same time, he keeps working on his skill on oil paintings, taking part in several art exhibitions. When he moves to Madrid, in 2008, he discovers children’s book illustrations.

Gloomy open spaces, dreamy in-between atmospheres, a strong chromatic impression mixed with imaginary elements are the main features of his work. He is on a quest to conjure colourful and fantastic places, where time stops to offer biggest emotions in smallest people.

Previous children’s books illustrated include The Rose Mysteries written by Imogen White.

Find out more about Davide at https://www.davideortu.com
and follow Davide on Twitter: @Ortu_Ilustrador


Preorder: The Dragon in the Library is currently available to pre-order online from Waterstones or from any good independent bookshop, go support yours!


Huge thanks to Louie, Rebecca and all at Nosy Crow for inviting me to host this super cover reveal, I can’t wait to get my hands on a copy!


Mr E

🐉📚


Giveaway!

The very lovely people at Nosy Crow have kindly given me three proof copies of The Dragon in the Library to give away!

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If you’d like to be in with a chance of being one of the first people to read this brilliantly funny book, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Nosy Crow, as soon as possible.

Blog Tour (Guest Post & Giveaway!): Unicorn Girl – Anne-Marie Conway (Illustrated by Shannon Conway)

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Title: Unicorn Girl
Author: Anne-Marie Conway (@amconway_author)
Publisher: Eponine Press
Page count: 216
Date of publication: 31st October 2018
ISBN: 978-1916436305

Perfect for Year 4, Year 5 and Year 6.

#3Words3Emojis:
1.  Unicorns
2. Necklace
3. Magic


Today, I ‘m delighted to welcome best-selling children’s author and drama teacher Anne-Marie Conway to The Reader Teacher. Here, she shares with The Reader Teacher her exclusive guest post about why creativity and childhood experiences are ‘at the heart’ of the school workshops she does for new book Unicorn Girl.

I’m also incredibly pleased that Anne-Marie Conway and her team have given me TWO signed copies of Unicorn Girl and two unicorn charm necklaces to be given away with the books! Read on to find out more!

As a drama teacher, I know the power of the imagination and how important imaginary play is, whatever your age.

I began using creativity to deliver the curriculum very early on in my teaching career. In my first job as a general primary teacher, I quickly felt constrained by traditional teaching methods and began to take a more creative approach to what I did. I had a planning meeting every week with my parallel teacher and while she liked my ideas she didn’t always have the confidence to incorporate them into her lessons. In the end we came to an arrangement; she taught maths to my class and I taught literacy to hers.

Nowadays, of course, it’s harder for teachers to hide in the wings. With ‘Teacher in role’ as well as other drama techniques being part of the National Curriculum, educationists everywhere need to find ways of delivering it themselves.

I can’t imagine working any other way. I am currently doing author visits to support my new book, Unicorn Girl, and inspiring the students to think creatively is at the heart of what are proving to be popular workshops.

In the book, my heroine Ariella has recently moved house and school. She is smaller than everyone else, is being picked on by the school bully and is desperately worried about her baby brother, Boo, who was born with a hole in his heart. Enter Albert, a frightened and scruffy young unicorn foal who looks like he needs her help.

The story is about their journey together and is illustrated with beautiful black and white drawings that I use as the starting point for the workshops I do.

At the beginning of each school visit, I lay out three very large versions of these pictures; one from the start of the book where Ariella and Albert are unsure of themselves and each other; one from the middle of the book where they are gaining in confidence and one at the end where they have overcome the hurdles in their way. I don’t want to spell it out much more than this because I don’t want to spoil the story! But you get the idea. There is a narrative arc to this. The characters develop.

The pictures give the students a way of talking about the themes in the book, even if they haven’t read it yet. But to get them imaginatively involved, I ask them to choose the one image they like most and ‘graffiti’ onto it the words and phrases that come to mind. This process involves some pairing up, a lot of chatting and a great deal of walking round the pictures and deciding what to do. And that’s before they start practicing on different pieces of paper with coloured pencils to get exactly the right image, preparing to draw it one last time onto the final picture – no second chances.

The feedback so far has been fantastic. The walking around and freedom to be creative makes it easier for everyone to talk about what’s in front of them. Sometimes it gets noisy and messy but it’s never dull.

My passionate belief in using imagination to connect with children comes from personal experience.

When I was 13 years old, my father announced to the family, out of the blue, that in six weeks’ time we would be going to live in Israel. It would be difficult to exaggerate the impact the move had on me – leaving behind my friends, my school and everything that was familiar to start a new life somewhere where I didn’t speak the language or know a single person. I wondered if I would ever fit in or be happy again.

It’s perhaps no surprise then, that the main characters in my novels often find themselves living in a new area or starting a new school, just like Ariella. It’s a theme I come back to again and again, almost as if I’m still coming to terms with the trauma of moving all those years ago.

I remember, during those first few weeks in Israel, I developed a strange coping mechanism. I used to pretend I was in a movie. I would stand at the bus stop, waiting for the number 90 bus that would take me to my new school, and I would imagine a camera crew filming me for a ground-breaking documentary. I devised the script in my head: Anne-Marie is waiting for the number 90 bus that will take her to her new school. Steam rises from the boiling tarmac, the air around her filled with clouds of sandy dust.

I used to tell myself that when the filming was finished, I’d be going back to my old life and the nightmare would be over. Not only that, but I’d be a huge star. (And this was years before the concept of reality TV even existed.)

Ariella in Unicorn Girl escapes into her imagination too. I’ll leave you to decide exactly how, but Albert appears in her life shortly after her beloved Granny Rae dies.

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Illustration credit: Shannon Conway

Albert has fallen through an invisible barrier that separates the unicorn world from the human world and he has no idea how to get back. It was important to me, when I was writing the book, that Ariella would be instrumental in helping Albert, rather than Albert appearing solely to help Ariella. I wanted their relationship to sustain her, but ultimately empower her. Albert is trying to get back to his old world, but Ariella can’t go back. She has to find a way to fit in to her new world, however difficult that might be.

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Illustration credit: Shannon Conway

The journey they embark on is funny and touching and full of setbacks but on the way, almost without realising, they grow strong and brave and full of courage, until finally, they are able to scale the emotional, as well as physical hurdles in their way.

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Illustration credit: Shannon Conway

Pretending to star in my own movie helped me through some dark, lonely times, too. It helped me to navigate the new and unfamiliar world that was so alien to me, until, slowly, without even realising, the gap between observing my new life and living it, got smaller and smaller.

I don’t think my response to a distressing situation was unique, nor is Ariella’s. A lot of children retreat into an imaginary world to some degree. It is part of how they negotiate their way towards the adult world. This is where drama in the classroom can be so powerful. If children are already working through thoughts and fears in their imaginative worlds, teachers can connect with them quickly by meeting them on familiar ground. We need to have faith that if we meet children halfway, if we stretch out a hand, they will stretch theirs back to meet us.

In practical terms, for teachers, this can mean dressing up, getting into role, entering into the drama. As soon as you put on a hat, or a cloak, or change your voice, students believe. And there are plenty of techniques to help you guide and control this more creative approach to learning. I use a tambourine to signal what I expect from the group. A shake means; ‘Finish up, sit down, it’s time to share what we’ve been doing.’ A loud bang means; ‘Freeze’. It’s important to keep activities short so that the pace of the lesson moves along, and it’s useful to stop at regular intervals to make sure the children are focused and on task.

Although, in my experience, whilst the lessons might be more chaotic than the average maths lesson, there is nothing sweeter than the noise of children devising a piece of drama to enhance and deepen their learning.

The workshop I now do around Unicorn Girl has brought together so many strands of my life, it’s caught me by surprise. I use the content I’ve created as an author, the skills I use as a teacher and the insights of that young girl, finding herself vulnerable and alone in Israel.

I’m out of my comfort zone a lot of the time – learning new things with every visit. But one thing’s for sure…I’m never bored.

Unicorn Girl is available from Peter’s and good bookshops as well as on Amazon and Kindle. Anne-Marie Conway is currently booking school author visits for 2019.
For more information, please visit
www.annemarieconwaybooks.com


Big thanks to Anne-Marie and Michele for all your help in organising this stop on Anne-Marie’s blog tour and for providing the prizes for the giveaway. Extra thanks also to Anne-Marie for writing such an inspiring guest post, especially at this busy time of year!

Mr E


Giveaway!

 

So to celebrate the blog tour of Unicorn Girl, I am delighted to say that Anne-Marie has kindly given me TWO signed copies of her book to give away to one of my followers on Twitter along with two unicorn charm necklaces.
If you’d like a chance of winning this superb prize, simply retweet (RT) this tweet!