Cover Reveal & Book Giveaway: The Frozen Sea – Piers Torday (Illustrated by Ben Mantle & designed by Samuel Perrett) – Published 5th September 2019

I’m so excited to be able to reveal the cover of Piers Torday’s incredible second instalment in the The Lost Magician series, The Frozen Sea (which has been brilliantly illustrated by Ben Mantle and designed by Samuel Perrett) which will be published on 5th September 2019 by Hachette.

I’m also super happy because the very lovely people at Hachette have given me five proof copies of The Frozen Sea to give away near to publication day!

Find out more below!


The Frozen Sea

the-Frozen-Sea-Twitter.jpg


‘If you can imagine it, it exists … somewhere.’ 

The second incredible instalment of a spellbinding fantasy adventure from the bestselling, award-winning author of The Last Wild trilogy.

It is 1984 and forty years since Simon, Patricia and Evelyn and Larry first stepped through a magical library door into the enchanted world of Folio. When Patricia’s daughter, Jewel, makes a mysterious discovery in an old bookshop, she begins a quest that will make her question everything she thought she knew. Summoned to Folio, she must rescue a missing prince, helped only by her pet hamster and a malfunctioning robot.

Their mission to the Frozen Sea will bring them face-to-face with a danger both more deadly and more magnificent than they ever imagined.

What Jewel discovers will change not just who she thinks she is, but who we all think we are…


Publisher: Hachette Children’s Group
ISBN: 9781786540768
Number of pages: 352 


Piers Torday

 

I was born in 1974, in Northumberland, which is possibly the one part of England where more animals live than people.

My father Paul worked for the family engineering business in Newcastle, while my mother Jane ran a children’s bookshop in Hexham called Toad Hall Books. Alongside my younger brother Nick, I spent my very early years crawling around on the floor of that shop, surrounded by piles of books right from the start.

I was extremely lucky to come from a writing background. My grandfather Roger Mortimer was a racing journalist who wrote hundreds of very funny letters to his children and grandchildren, and you can learn the extraordinary story of his life in Dearest Jane, by him and my mother, Jane.

I enjoyed reading, writing and drawing from an early age. My parents loved reading to me, and I particularly enjoyed books with good pictures – such as the Moomin stories by Tove Jansson, The Hobbit by J R R Tolkien and Hergé’s Tintin graphic novels. Other favourites included Roald Dahl, C. S. Lewis’s Narnia series and Wind in the Willows by Kenneth Grahame. My mother was always writing as I was growing up – newspaper articles, gardening and cookery books, local history – and it seemed a normal thing to want to do.

My first cartoon, aged 7,  was about a superhero called Super Sid, which won a competition in a local newspaper. Then I started making comics, and my first one was about all the sheep who lived on the hills around us, called…The Sheep! At school, I spent most of my time in the library or the computer room, where I wrote short stories and funny articles for the school magazine.  Then I went to university, where I was meant to study English but mainly wrote, directed or produced plays and comedy shows.

My first job, in 1996, was in a fringe theatre in London, The Pleasance, where I started working behind the bar but was eventually allowed to read a few scripts and then help choose what plays were put on, both in London and at their Edinburgh Fringe Festival venue.  I was very fortunate to be a Trustee for the last 15 years.

Then I co-ran a theatre production company, touring new plays and promoting comedians. I also worked in TV for several years, including a short spell in Los Angeles, coming up with ideas for everything from reality shows to hidden camera pranks.

On a break between TV jobs one summer in 2008, I booked myself onto an Arvon writing course at Ted Hughes’s old house on the West Yorkshire moors, and it was there I began writing the adventures of a boy called Kester who can’t talk to people but can talk to animals, in an environmentally precarious world.

Finally, after 17 drafts, and many early mornings and late nights later, The Last Wild was published in 2013 by Quercus Children’s. It was nominated for the Carnegie Award shortlisted for the Waterstones Children’s Book Prize, the UKLA Award, and won both Stockton Children’s Book of the Year and Calderdale Children’s Book of the Year. The book has been published in 13 other countries, including the USA.

That same year, I married Will Tosh, an academic.

In 2014, the sequel to The Last Wild, The Dark Wild,  came out, and won the Guardian Children’s Fiction Prize. The third and final book in the series, The Wild Beyond came out in 2015, and was shortlisted for Islington Book of the Year.

After my father died in 2013, I found his last unfinished novel (a political thriller for adults) amongst his papers. With the agreement of my brother and his agent and editor, I finished the book for him , and The Death of an Owl was published in 2016 by W&N.

That Christmas, my fourth book for children,  There May Be A Castle was published by Quercus Children’s. It was a Children’s Book of the Year in The Times and has just come out in paperback.  You can also read some new short stories by me in Winter Magic (curated by Abi Elphinstone), Wisp of Wisdom and Scoop magazine.

I also occasionally write articles and book reviews for The Guardian, The Daily Expressand The Spectator, amongst others. I have judged the Guardian Children’s Fiction Prize, and the Costa Book Award.

My adaptation of John Masefield’s classic The Box of Delights  opened at Wilton’s Music Hall in London last Christmas, directed by Justin Audibert, designed by Tom Piper, starring Matthew Kelly and Josefina Gabrielle and was revived in Christmas 2018 starring Theo Ancient, Nigel Betts and Sarah Stewart.

I am now delighted to also be an Associate Artist at Wilton’s.

I am passionate about the opportunities for imaginative futures that reading allows, and have been a trained Reading Helper with Beanstalk Reads for five years, working with children on their reading on my local primary schools.

I am delighted to be a Patron of Reading at the inspirational St. Silas’s in Toxteth, Liverpool, and am a Trustee of the Ministry of Stories, a charity which works with children in East London and further afield to enable their creativity and storytelling skills in multiple different forms.

I am also a Patron of the magnificent Shrewsbury Book Fest, a visionary book award, festival and school outreach scheme all in one.

My latest book is called The Lost Magician, and was published in September 2017.

I am currently also working on the sequel to that book, alongside a new play and a new film, but spend most of my time wrangling our very naughty – but adorable – puppy, Huxley.


Ben Mantle

Ben was born in Leamington Spa in 1980, and developed a very early interest in things artistic, designing programme covers for school productions and even coming first in his local library colouring-in competition. From there he went on to study animation at Surrey Institute of Art & Design, graduating in 2003.. He then gained valuable experience working on Tim Burton’s “Corpse Bride” before moving to Brighton to work as ‘Head of Animation’ in a media company, focusing on Character and Background design.

He was also part of the Animation team creating the BAFTA winning ‘Big and Small’ CBeebies website. Since 2008, Ben has been working as a Children’s Book Illustrator from his shared studio in Brighton and he also produces screen prints and digital artwork to exhibit. He illustrated ‘Callum’s Incredible Construction Kit’ which won the Bishop’s Stortford Picture Book prize 2013.


Samuel Perrett

0.jpeg

Photo credit:https://uk.linkedin.com/in/samuel-perrett-8735a177/de

Samuel Perrett is Senior Designer at Hachette Children’s Group.
He also designed the cover for Piers Torday’s The Lost Magician and many more bestselling books from Hachette.


Pre-order: The Frozen Sea is available to pre-order now online at AmazonWaterstones or from any good independent bookshop.


Biggest thanks to Piers, Emily and all at Hachette for giving me the wonderful opportunity to reveal this stunning and spellbinding cover and for providing copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Hachette have kindly given me five copies of The Frozen Sea to give away!

The-Frozen-Sea-Instagram-(1).jpg

If you’d like to be in with a chance of winning a copy of The Frozen Sea, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Hachette, as soon as possible near to publication day.

Cover Reveal & Book Giveaway: Fire Girl, Forest Boy – Chloe Daykin (Illustrated by David Litchfield) – Published 4th July 2019

I’m so excited to be able to exclusively reveal the cover of Chloe Daykin‘s third children’s novel, Fire Girl, Forest Boy (which has been brilliantly illustrated by David Litchfield) which will be published on 4th July 2019 by Faber Children’s.

I’m also super happy because the very lovely people at Faber have given me five proof copies of Fire Girl, Forest Boy to give away so you can be one of its very first readers!

Find out more below!


Fire Girl, Forest Boy – Chloe Daykin
(Illustrated by David Litchfield)

IMG_41EF3805FDFE-1.jpeg

A book about light, about magic and belief, and about unlocking your own potential, from the critically acclaimed author of Fish Boy and The Boy Who Hit Play.

Maya has to escape. She’s on the run in a country she doesn’t know and has no idea who to trust. Raul is escaping too – travelling back to his home where a terrible tragedy happened, ready to stir up trouble. When their paths collide in the middle of the jungle, the sparks begin to fly. As modern world corruption meets the magic and legends of ancient times, can Maya draw on her hidden light to find the way through to the truth?


Chloe Daykin

Chloe-Dakin-credit-Richard-Kenworthy-wpcf_270x270

Photo credit: https://felicitybryan.com/fba-author/chloe-daykin/

 

Chloe won a ARHC studentship to study the MA in Creative Writing at Newcastle University where she graduated with distinction, winning the universities taught masters prize and Northern Writers Award to write her debut novel Fish Boy. Fish Boy was published by Faber & Faber in 2017 to critical acclaim and was nominated for the Carnegie Medal, long listed for the UKLA and is currently shortlisted for the Branford Boase children’s debut of the year award.

Chloe won the wonderful inaugural Julia Darling Fellowship to research her second novel The Boy Who Hit Play, travelling around the wild icy land of Norway and its many beautiful islands, published in 2018.

In December Chloe journeyed across the otherworldy land of Peru thanks to the fantastic support of the Arts Council England. Her third novel, Fire Girl, Forest Boy, is due to be released in July 2019.

Chloe Daykin lives in Northumberland with her family including one husband, two boys and three cats. She loves an unusual adventure and is a fan of all things fun, poetic and surprising.


David Litchfield

 

David Litchfield is a multi-award winning illustrator and author represented by the Bright Agency.

David first started to draw when he was very young, creating Star Wars and Indiana Jones ‘mash up’ comics for his older brother and sister. Since then David’s work has appeared in magazines, newspapers, books and on T-shirts. He has also exhibited his illustrations in both solo and group shows in the U.K, Europe and America.

David’s  author/illustrator picture books ‘The Bear & The Piano’  ‘Grandad’s Secret Giant’ and ‘The Bear, The Piano, The Dog & The Fiddle’ are out now.

He has also illustrated a number of picture books for authors such as Ross Montgomery, Andy Stanton and Sally Lloyd-Jones as well as book covers for David Almond, Kate Dicamillo, Neil Patrick Harris and many more.

David lives with his family in Bedford, England.


Pre-order: Fire Girl, Forest Boy is available to pre-order now online at AmazonWaterstones or from any good independent bookshop.


Biggest thanks to Sarah and all at Faber for giving me the wonderful opportunity to reveal this gorgeously colourful cover and for providing proof copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Faber have kindly given me five proof copies of Fire Girl, Forest Boy to give away!

IMG_41EF3805FDFE-1

If you’d like to be in with a chance of being one of the first readers to read Fire Girl, Forest Boy, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Faber, as soon as possible.

Cover Reveal & Book Giveaway: The Monster Who Wasn’t – T. C. Shelley (Illustrated by Claire Powell) – Published 8th August 2019

I’m so excited to be able to exclusively reveal the cover of T. C. Shelley‘s debut children’s novel, The Monster Who Wasn’t (which has been brilliantly illustrated by Claire Powell) which will be published on 8th August 2019 by Bloomsbury Children’s.

I’m also super happy because the very lovely people at Bloomsbury have given me five proof copies of The Monster Who Wasn’t to give away so you can be one of its very first readers!

Find out more below!


The Monster Who Wasn’t – T. C. Shelley
(Illustrated by Claire Powell)

TheMonsterWhoWasnt hi res cover.jpg

A brilliantly rich and strange fantasy adventure that will make us all believe in monsters  be they good, bad or somewhere in between.

It is a well-known fact that fairies are born from a baby’s first laugh. What is not as well documented is how monsters come into being 

This is the story of a creature who is both strange and unique. When he hatches down in the vast underground lair where monsters dwell, he looks just like a human boy – much to the disgust of everyone watching. Even the grumpy gargoyles who adopt him and nickname him ‘Imp’ only want him to steal chocolate for them from the nearby shops. He’s a child with feet in both worlds, and he doesn’t know where he fits.

But little does Imp realise that Thunderguts, king of the ogres, has a great and dangerous destiny in mind for him, and he’ll stop at nothing to see it come to pass…


The first book in a deeply magical fantasy adventure trilogy for 9+ readers.

Perfect for fans of The House with Chicken Legs, The Spiderwick Chronicles and The Uncommoners.


T. C. Shelley

T.C. Shelley studied Creative Writing and Literature at university. She has been teaching English for over twenty years and her first school was classified as the most remote in Australia. She loves an audience and long before she took up teaching was writing and performing her poetry and short stories. She began writing novels to entertain her daughter, who wisely suggested that she try to get them published. Shelley lives with her husband, her daughter and two dogs in Perth, Western Australia.

The Monster Who Wasn’t is her first novel.

You can find out more about T. C. by following her on Twitter: @TCShelley1.


Claire Powell

Life for Claire began in a cupboard under the stairs. Not as punishment like Harry Potter, it’s where she went to draw. Her parents sensing her love for drawing, turned the closet into an art den and it’s where Claire could always be found… until she got too big to fit that is.

Claire is now an illustrator, writer and designer who lives and works in London. Her clients include: Bloomsbury, Simon and Schuster, Hodder, Little Tiger, Harper Collins, Apple, Vital Arts, BBC, UKTV, Nickelodeon and DreamWorks Animation.

You can find out more about Claire on her website or by following her on Twitter: @misspowellpeeps.


Pre-order: The Monster Who Wasn’t is available to pre-order now online at AmazonWaterstones, Hive or from any good independent bookshop.


Biggest thanks to Emily Marples and all at Bloomsbury for giving me the wonderful opportunity to reveal this gorgeously magical cover and for providing proof copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Bloomsbury have kindly given me five proof copies of The Monster Who Wasn’t to give away!

TheMonsterWhoWasnt hi res cover.jpg

If you’d like to be in with a chance of being one of the first readers to read The Monster Who Wasn’t, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Bloomsbury, as soon as possible.

Cover Reveal & Book Giveaway: The True Colours of Coral Glen – Juliette Forrest (Designed & Illustrated by Jamie Gregory) – Published 4th July 2019

I’m absolutely delighted to be able to reveal the cover of Juliette Forrest‘s second children’s novel, The True Colours of Coral Glen (designed & illustrated by Jamie Gregory) which will be published on 4th July 2019 by Scholastic.

I’m also super happy because the very lovely people at Scholastic have given me five copies of The True Colours of Coral Glen to give away! Find out more below!


The True Colours of Coral Glen – Juliette Forrest
(Cover design & illustration by Jamie Gregory)

The True Colours of Coral Glen high-res cover.jpg

An astonishingly inventive, spooky and heartfelt story of a girl on a race- against-time, gothic-tinged treasure hunt. Coral sees the world around her through a rainbow of colours not visible to others – a day full of adventure is Treasure Island Gold but one with a maths test is Stormy Canyon Grey. When her beloved grandma dies, Coral can’t conjure the colour to match how heartbroken she is.

She must go on a spooky adventure full of witches, ghosts and other things lurking around the corners of her not-so-ordinary-after-all town…


Price: £6.99
Publication Date: 4th July 2019
ISBN: 9781407193229
Pages: 304


  • The Guardian said of Juliette’s debut, TWISTER: “If you only read one children’s book this summer, make it this one.”
  • Hugely imaginative storytelling at its finest, with themes of grief and the supernatural.
  • Building on Juliette’s profile with special media and blogger mailings, plus a programme of events in schools and at festivals.
  • Engaging social assets highlighting the importance of colour within the story.
  • For fans of Neil Gaiman’s THE GRAVEYARD BOOK, Sophie Anderson’s THE HOUSE WITH CHICKEN LEGS and Helena Duggan’s A PLACE CALLED PERFECT, this is a stunning story told in Juliette’s completely original voice.
  • Praise for TWISTER:
    “a soaring fantasy with a down to earth heroine” – The Guardian,
    “an unusual, gutsy and invigorating fantasy with a compelling narrative voice” – The Metro

Juliette Forrest

SCastillo_Juliette_Portrait-6175.JPG
Photography by Susan Castillo (Image credit: https://www.julietteforrest.co.uk/about)

 

After finishing school, Juliette left Scotland for the bright lights of London where she trained as an art director and worked in the creative departments of advertising agencies, winning awards for her TV, radio, press and poster campaigns. Wanting a life of adventure, she packed her bags and travelled around the world, where she stayed with the Karen people in Thailand, dived the Great Barrier Reef, explored Malaysian jungles, visited the Po Lin Monastery on Lantau Island in Hong Kong and hared across America on the Greyhound Bus. Winning a New Writers Award from Scottish Book Trust gave Juliette the support she needed to complete her first novel Twister, which was snapped up by Scholastic and published in February 2018. The rights to it have now been sold in France, Holland and Romania. Juliette is extremely proud to be Writer in Residence at All Saints Primary and has been offered Spring Residency at Moniack Mhor, Scotland’s Creative Writing Centre. When she’s not freelancing as a copywriter, she can be found at her laptop, typing her next book, rather clumsily. Juliette is at her happiest exploring the great outdoors with her rescue dog – even though she has a sneaking suspicion he is the one taking her for a walk.

The True Colours of Coral Glen is Juliette’s second book for children.


Jamie Gregory

0.jpeg

(Image credit: https://uk.linkedin.com/in/jamie-gregory-a896812a)

Jamie Gregory is the Design Manager at Scholastic UK. His most recently designed and illustrated covers include redesigned covers of Philip Reeve’s Mortal Engines series (illustrated by Ian McQue), Alice Broadway’s Ink (designed by Andrew Biscomb and Elizabeth B. Parisi), Karen McCombie’s Catching Falling Stars and State of Sorrow by Melinda Salisbury.


Pre-order: The True Colours of Coral Glen is available to pre-order online at AmazonWaterstones or from any good independent bookshop.


Big thanks to Juliette, Lorraine and all at Scholastic for giving me the wonderful opportunity to reveal this beautiful cover and for providing copies for the giveaway!

I can’t wait to get my hands on a copy!

Mr E


Giveaway!

The very lovely people at Scholastic have kindly given me five copies of The True Colours of Coral Glen to give away!

The True Colours of Coral Glen high-res cover

If you’d like to be in with a chance of winning a copy one of this utterly brilliantly sounding story, simply retweet (RT) this tweet!

Copies will be sent to winners when available from Scholastic, as soon as possible.

Cover Reveal & Book Giveaway: The Dragon in the Library – Louie Stowell (Illustrated by Davide Ortu) – Out 6th June 2019!

Today, I’m absolutely thrilled to exclusively reveal the cover of Louie Stowell’s eagerly-awaited first novel in her new The Dragon in the Library series, The Dragon in the Library which will be published on 6th June 2019 by Nosy Crow.

I’m even more delighted that the team at Nosy Crow have produced an awesome GIF to show off the cover in all its glory!

I’m also super happy because the very lovely people at Nosy Crow have given me three proof copies of The Dragon in the Library to give away! Find out more below!


The Dragon in the Library

dragoncoverrevealv12q

Kit can’t stand reading. She’d much rather be outside, playing games and getting muddy, than stuck inside being quiet with a book. But when she’s dragged along to the local library at the start of the school holiday by her two best friends, she makes an incredible discovery: the local library is run by wizards … and she’s one too! The youngest wizard ever, in fact.

But someone is threatening to tear down the library and disturb the powerful magical forces living beneath it. And now it’s up to Kit and her friends to save the library… and the world.

Aimed at younger readers aged seven to nine, the series will have black and white illustrations throughout.

dragoninthelibrary_highres


  • The first book in a highly imaginative, fantastically exciting and accessible new series for 7+.
  • A great message on the power of books, reading and libraries.
  • Illustrated throughout by rising star Davide Ortu.

Louie Stowell

sjmimyia_400x400(Photo credit: https://twitter.com/Louiestowell)

With a solid background commissioning non-fiction for children Louie Stowell – who is Editorial Director at Ladybird – is also a dab hand at writing non-fiction books for children.  As well as having an in-depth knowledge of everything from computer coding to spaceships, she also draws cartoons online (and in the occasional zine) and runs comics workshops at literary festivals and in schools. Louie grew up in London, obsessed with comics, playing at elves in caves in Kent, and running feral in the scrubland by the Thames. She now lives in Hackney with her wife and their dog, Buffy, who is small and fluffy and highly unlikely to slay vampires, unless they’re getting between her and some bacon. Louie’s first novel will be published in 2018, with subsequent books coming six months apart.

(https://www.greenhouseliterary.com/authors/louie-stowell/)

Find out more by following Louie Stowell on Twitter: @Louiestowell


Davide Ortu

(Photo credit 1: http://www.milan-illustrations.com/product/artists/ortu-davide/)
(Photo credit 2: https://twitter.com/Ortu_Ilustrador)

Davide is an Italian artist. He lives in Spain and is represented by Beehive Illustration.

Soon after earning his diploma at ‘Foiso Fois’ Arts High School in Cagliari, Sardinia, he takes up a career as an advertising graphic designer. 

At the same time, he keeps working on his skill on oil paintings, taking part in several art exhibitions. When he moves to Madrid, in 2008, he discovers children’s book illustrations.

Gloomy open spaces, dreamy in-between atmospheres, a strong chromatic impression mixed with imaginary elements are the main features of his work. He is on a quest to conjure colourful and fantastic places, where time stops to offer biggest emotions in smallest people.

Previous children’s books illustrated include The Rose Mysteries written by Imogen White.

Find out more about Davide at https://www.davideortu.com
and follow Davide on Twitter: @Ortu_Ilustrador


Preorder: The Dragon in the Library is currently available to pre-order online from Waterstones or from any good independent bookshop, go support yours!


Huge thanks to Louie, Rebecca and all at Nosy Crow for inviting me to host this super cover reveal, I can’t wait to get my hands on a copy!


Mr E

🐉📚


Giveaway!

The very lovely people at Nosy Crow have kindly given me three proof copies of The Dragon in the Library to give away!

dragoninthelibrary_highres

If you’d like to be in with a chance of being one of the first people to read this brilliantly funny book, simply retweet (RT) this tweet!

Proof copies will be sent to winners when available from Nosy Crow, as soon as possible.

Blog Tour (Guest Post & Giveaway!): Unicorn Girl – Anne-Marie Conway (Illustrated by Shannon Conway)

Unicorn Girl front cover 2.jpg

Title: Unicorn Girl
Author: Anne-Marie Conway (@amconway_author)
Publisher: Eponine Press
Page count: 216
Date of publication: 31st October 2018
ISBN: 978-1916436305

Perfect for Year 4, Year 5 and Year 6.

#3Words3Emojis:
1.  Unicorns
2. Necklace
3. Magic


Today, I ‘m delighted to welcome best-selling children’s author and drama teacher Anne-Marie Conway to The Reader Teacher. Here, she shares with The Reader Teacher her exclusive guest post about why creativity and childhood experiences are ‘at the heart’ of the school workshops she does for new book Unicorn Girl.

I’m also incredibly pleased that Anne-Marie Conway and her team have given me TWO signed copies of Unicorn Girl and two unicorn charm necklaces to be given away with the books! Read on to find out more!

As a drama teacher, I know the power of the imagination and how important imaginary play is, whatever your age.

I began using creativity to deliver the curriculum very early on in my teaching career. In my first job as a general primary teacher, I quickly felt constrained by traditional teaching methods and began to take a more creative approach to what I did. I had a planning meeting every week with my parallel teacher and while she liked my ideas she didn’t always have the confidence to incorporate them into her lessons. In the end we came to an arrangement; she taught maths to my class and I taught literacy to hers.

Nowadays, of course, it’s harder for teachers to hide in the wings. With ‘Teacher in role’ as well as other drama techniques being part of the National Curriculum, educationists everywhere need to find ways of delivering it themselves.

I can’t imagine working any other way. I am currently doing author visits to support my new book, Unicorn Girl, and inspiring the students to think creatively is at the heart of what are proving to be popular workshops.

In the book, my heroine Ariella has recently moved house and school. She is smaller than everyone else, is being picked on by the school bully and is desperately worried about her baby brother, Boo, who was born with a hole in his heart. Enter Albert, a frightened and scruffy young unicorn foal who looks like he needs her help.

The story is about their journey together and is illustrated with beautiful black and white drawings that I use as the starting point for the workshops I do.

At the beginning of each school visit, I lay out three very large versions of these pictures; one from the start of the book where Ariella and Albert are unsure of themselves and each other; one from the middle of the book where they are gaining in confidence and one at the end where they have overcome the hurdles in their way. I don’t want to spell it out much more than this because I don’t want to spoil the story! But you get the idea. There is a narrative arc to this. The characters develop.

The pictures give the students a way of talking about the themes in the book, even if they haven’t read it yet. But to get them imaginatively involved, I ask them to choose the one image they like most and ‘graffiti’ onto it the words and phrases that come to mind. This process involves some pairing up, a lot of chatting and a great deal of walking round the pictures and deciding what to do. And that’s before they start practicing on different pieces of paper with coloured pencils to get exactly the right image, preparing to draw it one last time onto the final picture – no second chances.

The feedback so far has been fantastic. The walking around and freedom to be creative makes it easier for everyone to talk about what’s in front of them. Sometimes it gets noisy and messy but it’s never dull.

My passionate belief in using imagination to connect with children comes from personal experience.

When I was 13 years old, my father announced to the family, out of the blue, that in six weeks’ time we would be going to live in Israel. It would be difficult to exaggerate the impact the move had on me – leaving behind my friends, my school and everything that was familiar to start a new life somewhere where I didn’t speak the language or know a single person. I wondered if I would ever fit in or be happy again.

It’s perhaps no surprise then, that the main characters in my novels often find themselves living in a new area or starting a new school, just like Ariella. It’s a theme I come back to again and again, almost as if I’m still coming to terms with the trauma of moving all those years ago.

I remember, during those first few weeks in Israel, I developed a strange coping mechanism. I used to pretend I was in a movie. I would stand at the bus stop, waiting for the number 90 bus that would take me to my new school, and I would imagine a camera crew filming me for a ground-breaking documentary. I devised the script in my head: Anne-Marie is waiting for the number 90 bus that will take her to her new school. Steam rises from the boiling tarmac, the air around her filled with clouds of sandy dust.

I used to tell myself that when the filming was finished, I’d be going back to my old life and the nightmare would be over. Not only that, but I’d be a huge star. (And this was years before the concept of reality TV even existed.)

Ariella in Unicorn Girl escapes into her imagination too. I’ll leave you to decide exactly how, but Albert appears in her life shortly after her beloved Granny Rae dies.

ShannonAriellaMeetsAlbertg

Illustration credit: Shannon Conway

Albert has fallen through an invisible barrier that separates the unicorn world from the human world and he has no idea how to get back. It was important to me, when I was writing the book, that Ariella would be instrumental in helping Albert, rather than Albert appearing solely to help Ariella. I wanted their relationship to sustain her, but ultimately empower her. Albert is trying to get back to his old world, but Ariella can’t go back. She has to find a way to fit in to her new world, however difficult that might be.

ShannonAriellaPullsAlbert

Illustration credit: Shannon Conway

The journey they embark on is funny and touching and full of setbacks but on the way, almost without realising, they grow strong and brave and full of courage, until finally, they are able to scale the emotional, as well as physical hurdles in their way.

ShannonAriellaJumps

Illustration credit: Shannon Conway

Pretending to star in my own movie helped me through some dark, lonely times, too. It helped me to navigate the new and unfamiliar world that was so alien to me, until, slowly, without even realising, the gap between observing my new life and living it, got smaller and smaller.

I don’t think my response to a distressing situation was unique, nor is Ariella’s. A lot of children retreat into an imaginary world to some degree. It is part of how they negotiate their way towards the adult world. This is where drama in the classroom can be so powerful. If children are already working through thoughts and fears in their imaginative worlds, teachers can connect with them quickly by meeting them on familiar ground. We need to have faith that if we meet children halfway, if we stretch out a hand, they will stretch theirs back to meet us.

In practical terms, for teachers, this can mean dressing up, getting into role, entering into the drama. As soon as you put on a hat, or a cloak, or change your voice, students believe. And there are plenty of techniques to help you guide and control this more creative approach to learning. I use a tambourine to signal what I expect from the group. A shake means; ‘Finish up, sit down, it’s time to share what we’ve been doing.’ A loud bang means; ‘Freeze’. It’s important to keep activities short so that the pace of the lesson moves along, and it’s useful to stop at regular intervals to make sure the children are focused and on task.

Although, in my experience, whilst the lessons might be more chaotic than the average maths lesson, there is nothing sweeter than the noise of children devising a piece of drama to enhance and deepen their learning.

The workshop I now do around Unicorn Girl has brought together so many strands of my life, it’s caught me by surprise. I use the content I’ve created as an author, the skills I use as a teacher and the insights of that young girl, finding herself vulnerable and alone in Israel.

I’m out of my comfort zone a lot of the time – learning new things with every visit. But one thing’s for sure…I’m never bored.

Unicorn Girl is available from Peter’s and good bookshops as well as on Amazon and Kindle. Anne-Marie Conway is currently booking school author visits for 2019.
For more information, please visit
www.annemarieconwaybooks.com


Big thanks to Anne-Marie and Michele for all your help in organising this stop on Anne-Marie’s blog tour and for providing the prizes for the giveaway. Extra thanks also to Anne-Marie for writing such an inspiring guest post, especially at this busy time of year!

Mr E


Giveaway!

 

So to celebrate the blog tour of Unicorn Girl, I am delighted to say that Anne-Marie has kindly given me TWO signed copies of her book to give away to one of my followers on Twitter along with two unicorn charm necklaces.
If you’d like a chance of winning this superb prize, simply retweet (RT) this tweet!


Cover Reveal & Book Giveaway: Swimming Against the Storm – Jess Butterworth (Illustrated by Rob Biddulph) – Out 4th April 2019!

Today, I’m so delighted to exclusively reveal the cover of Jess Butterworth’s eagerly-anticipated third novel after Running on the Roof of the World and When the Mountains Roared, Swimming Against the Storm which will be published on 4th April 2019 by Hachette.

I’m also super happy because the very lovely people at Hachette have given me five copies of Swimming Against the Storm to give away! Find out more below!


Swimming Against the Storm – Jess Butterworth

SATS_cover.jpg

Heartland middle-grade adventure set in the swamps of Louisiana, perfect for fans of Katherine Rundell and Lauren St John.

Our land is sinking. It’s disappearing into the water. And no one knows how to save it.

Twelve-year-old Eliza and her sister Avery have lived their entire lives in a small fishing village on the coast of Louisiana, growing up alongside turtles, pelicans and porpoises. But now, with sea levels rising, their home is at risk of being swept away.

Determined to save the land, Eliza and her younger sister Avery secretly go searching in the swamp for the dangerous, wolf-like loup-garou. If they can prove this legendary creature exists, they’re sure that the government will have to protect its habitat – and their community.

But there’s one problem: the loup-garou has never been seen before. And with a tropical storm approaching and the sisters deep, deep in the swampland, soon it’s not just their home at risk, but their lives as well…


Publisher: Hachette Children’s Group
ISBN: 9781510105485
Number of pages: 288


Jess Butterworth

oUi7rxgv_400x400.jpg
Jess spent her childhood between the UK and India, and grew up hearing stories about the Himalayas from her grandmother. As soon as she was old enough, she went on her own adventures in search of story ideas. After her undergraduate, Jess studied a creative writing Masters at Bath Spa University and now lives between the USA and the UK.

Her articles about creative writing, and short stories, have featured in publications such as The Writers and Artists’ Yearbook and Scoop Magazine. She’s published two novels for children aged 9+, Running on the Roof of the World and When the Mountains Roared. Her third novel, Swimming Against the Storm will be published in April 2019. Jess regularly visits schools and literary festivals where she works with young people and runs creative writing workshops.


Rob Biddulph

39122.jpeg
He is a bestselling and multi award-winning author/illustrator. He is also the official World Book Day Illustrator for 2019 and 2020. His first picture book, Blown Away, was published in 2014 and was only the second illustrated book in history to win the Waterstones Children’s Book Prize. It was read as a CBeebies Bedtime Story by Mark Bonnar in 2017.

His second book, GRRRRR!, was nominated for the CILIP Kate Greenaway medal and his third, Odd Dog Out, was nominated for a total of eight literary prizes, winning the BSC Festival of Literature Picture Book Award and the UKLA Student Shadower’s Vote Book Award. It was also read as a CBeebies Bedtime Story by Tom Hardy in 2017. His fourth, Sunk!, was nominated for the CILIP Kate Greenaway medal and shortlisted for The People’s Book Award and Oscar’s Book Prize, and his fifth, Kevin, was nominated for the CILIP Kate Greenaway medal and shortlisted for the BSC Festival of Literature Picture Book Award and the IBW Book Award. His sixth (Happy Hatchday) and seventh (Give Peas a Chance) books are the first two in the Dinosaur Juniors series. Happy Hatchday was awarded a GOLD Junior Design Award in 2018.

As well as working on his own books he also illustrates for other authors including Jeff Brown (the Flat Stanley series), Piers Torday, Jess Butterworth, SE Durrant and Christian O’Connell.  Before he became a full-time author/illustrator he was the art director of the Observer Magazine, NME, Uncut, SKY and Just Seventeen.

He lives in London with his wife and three daughters and hasn’t given up hope that, maybe, one of them will go to an Arsenal match with him one day.


Preorder: Swimming Against the Storm is available to pre-order online from Amazon, Hive, Waterstones, WHSmith or from any good bookshop.


Huge thanks to Jess, Dom and all at Hachette for inviting me to host this beautifully vivid cover reveal, I can’t wait to get my hands on a copy!


Mr E

📚


Giveaway!

The very lovely people at Hachette have kindly given me five finished copies of Swimming Against the Storm to give away!

SATS_cover.jpg

If you’d like to be in with a chance of winning one of these copies of this superb book, simply retweet (RT) this tweet!

Copies to be sent to winners when available from Hachette, just before, near or on publication on 4th April 2019.

Blog Tour (Review & Giveaway!): The Night I Met Father Christmas (Illustrated by Daniela Jaglenka Terrazzini)

91i0tkuV6cL

‘A gilt-edged gift that’s more than a gift… this is a story that no doubt will become a festive favourite but is a book that will take big kids back to feeling like believers again.


Rating: ⭐ ⭐ ⭐ ⭐ ⭐

Title: The Night I Met Father Christmas
Author: Ben Miller (@ActualBenMiller)
Illustrator: Daniela Jaglenka Terrazzini (@djterrazzini)
Publisher: Simon & Schuster Children’s (@simonkids_UK)
Page count: 304
Date of publication: 1st November 2018
Series status: N/A
ISBN: 978-1471171536

Perfect for Year 3, Year 4, Year 5 and Year 6.

#3Words3Emojis:
1. Magical ✨
2. Charming 😊
3. (Father) Christmas 🎅


Jackson knows all about the flying reindeer, he knows about the elves and the secret North Pole workshop, he knows about the magic that allows Father Christmas to deliver presents around the world in just one night, but there’s one thing he doesn’t know …  how did Father Christmas become Father Christmas?

That all changes when, one Christmas Eve, Jackson meets Father Christmas and hears his incredible story.   
 
So begins an enchanting fairy-tale into a magical snowy landscape, where Torvil, a mean-spirited and miserly elf, is about to discover the true meaning of Christmas. This might not have been the story Jackson was expecting but, as Father Christmas tells him, no good story ever is… 


Review: You’ll most probably know Ben Miller for his vast array of utterly brilliant comedy, TV and film work, most notably with writing partner Alexander Armstrong. My favourite of  his being the hilarious The Worst Week of My Life. So it is with great pleasure that The Night I Met Father Christmas shows that Ben can turn to his hand to the children’s literature world with the same enthusiasm in this joyful, festive offering. The Night I Met Father Christmas is Ben’s first foray in to writing for children and I’m certainly hoping it’s not his last.

In his heart of hearts, Jackson is a believer, always has been a believer and always will be a believer but owing to the smallest seed of doubt placed in his mind by one of his friends that’s slowly festering and growing bigger, he’s determined to find out for real about the true origins of Father Christmas.

With grand plans to meet the main man himself by fervently staying up late on Christmas Eve, Jackson is ready and armed with that ever-elusive and all-important unanswered question that’s reverberating around his head to find out his true identity, How did Father Christmas become Father Christmas?

But this all starts to slightly come unstuck when Father Christmas arrives down his chimney with a problem all of his very own…

As Father Christmas injures himself coming down Jackson’s chimney leaving the world at the mercy of not receiving their presents, Jackson finds himself at the delivery service of this small Santa in return of wanting to reveal the secret backstory behind his being.

With echoes of the great Charles Dickens’ The Christmas Carol and in particular The Ghosts of Christmas Past, Present and Future, so begins the revelatory journey that Jackson finds himself on. Accompanied by a talking reindeer, Jackson discovers the story of a Scrooge-like elf with a surname that’s the only thing in common with Christmas who rediscovers himself in more ways than one…

Friendship, flashbacks, fairy-tale and festivity combine in the most delightful of ways to make this a book that has all the potential of becoming the next Christmas classic. Not only a wonderful book to read at home in the build-up to Christmas Day that’s guaranteed to be a big hit with the whole family but also one that could inspire a whole generation of young readers to write their own origin stories, you’ll never think of Father Christmas in quite the same way again.

An absorbing read that’s sure to sprinkle Christmas spirit and sparkle through every turn of its glorious and gorgeous DJ Terrazini black-and-white illustrated pages, this is a book that no doubt will become a festive favourite but is also a book that will take big kids back to feeling like believers again.

Make sure to find space on your book shelf for this gilt-edged gift that’s more than a gift; it’s the perfect present to read this Christmas and to return to for all Christmases to come.

‘A gilt-edged gift that’s more than a gift… this is a story that no doubt will become a festive favourite but is a book that will take big kids back to feeling like believers again.


Big thanks to Eve Wersocki-Morris, Ben and all at Simon & Schuster Children’s UK for inviting me to share my thoughts on this beautifully-written and illustrated book as part of The Night I Met Father Christmas blog tour!

🎁 🎅  Mr E  🎅🎄

DtKPIN_XcAURMD4


The Night I Met Father Christmas is available to order now online or from any good bookshop.


Giveaway!

The very lovely people at Simon & Schuster Children’s UK have kindly given me ONE copy of The Night I Met Father Christmas to give away!

91i0tkuV6cL

If you’d like to be in with a chance of winning one of these copies of this superb book, simply retweet (RT) this tweet!

Cover Reveal & Giveaway: When we were Warriors – Emma Carroll (Illustrated by Julian De Narvaez & designed by Margaret Hope): Out 7th February 2019!

Today, I’m absolutely unbelievably excited to exclusively reveal the cover of Emma Carroll’s eagerly-anticipated World War Two short story collection, When we were Warriors which will be published on 7th February 2019 by Faber Children’s.

I’m also super excited because the very lovely people at Faber Children’s have given me five copies of When we were Warriors to give away! Find out more below!


When we were Warriors – Emma Carroll

5mWaUr36.jpg-large
A body washed up on the beach…
Evacuation to an old house with forbidden rooms and dark secrets…
An animal rescue service…

Set in World War Two, Emma Carroll explores the resilience, resourcefulness and inventiveness of children when their lives fall to pieces. Introducing some compelling new characters, as well as revisiting some familiar settings, these adventures are sure to win over new readers, as well as fans of old favourites such as Letters from the Lighthouse and Frost Hollow Hall.

Publisher: Faber & Faber
ISBN: 9780571350407
Number of pages: 256


Emma Carroll

6UCRnYF-(Image credit: https://twitter.com/emmac2603)

Emma Carroll was a secondary school English teacher before leaving to write full time. She has also worked as a news reporter, an avocado picker and the person who punches holes into filofax paper. She graduated with distinction from Bath Spa University’s MA in Writing For Young People. When We Were Warriors is Emma’s ninth novel.
She lives in the Somerset hills with her husband and two terriers.


Julian De Narvaez

Julian-De-Narvaez-Studio-1-2(Image credit: https://folioart.co.uk/in-the-studio-julian-de-narvaez/)

Julian is an illustrator from Bogotá, Colombia, South America. Julian De Narvaez begins his drawings in pen and China ink, gradually assembling and colouring the images digitally. This process lends his illustrations a contemporary, eclectic feel, though with a surprisingly fine, traditional quality. This quirkiness is sought after for its engaging richness.


Huge thanks to Emma, Sarah, Hannah and all at Faber Children’s for inviting me to host this stunning cover reveal, I can’t wait to get my hands on a copy!


Mr E

📚


Preorder: When we were Warriors is available to pre-order online from Amazon, Hive, Waterstones, WHSmith or from any good bookshop.

5mWaUr36.jpg-large


Giveaway!

The very lovely people at Faber Children’s have kindly given me five copies of When we were Warriors to give away!

5mWaUr36.jpg-large

If you’d like to be in with a chance of winning one of these copies of this superb book, simply retweet (RT) this tweet!

Copies to be sent to winners when available from Faber Children’s, just before, near or on publication on 7th February 2019.

Blog Tour (Guest Post & Giveaway!): The Train to Impossible Places – P. G. Bell (Illustrated by Flavia Sorrentino)


153967247773250051

‘Wow! This incredible debut puts P. G. Bell full steam ahead in the children’s literature world. All aboard for the most magical of adventures that’ll keep you on the very edge of your seat…’

Rating: ⭐ ⭐ ⭐ ⭐ ⭐

Title: The Train to Impossible Places
Author: P. G. Bell (@petergbell)
Publisher: Usborne (@Usborne)
Page count: 368
Date of publication: 4th October 2018
ISBN: 978-1474948616

Perfect for Year 4, Year 5 and Year 6.

#3Words3Emojis:
1.  Train 🚂
2. Fuzzics 👩‍🔬
3. Bananas 🍌


Today, as part of The Train to Impossible Places blog tour, I give a warm welcome to its author, P. G. Bell, to The Reader Teacher. Here, he shares with The Reader Teacher his exclusive guest post about how his previous job as a roller coaster operator helped him to write his debut novel in more ways than one!

How to Write a Roller Coaster of a Story

Once upon a time, I worked as a roller coaster operator. Part of the job was taking test runs several times a day to ensure that everything was functioning as expected. As the months passed, I got to know the rides very well – I could close my eyes and anticipate every twist, turn and barrel roll, and after a while I realised something: a good roller coaster is like a good story.

It has pace, structure and variety. It builds anticipation before pitching you headlong into the action. Then it gives you just enough time to catch your breath before twisting you one way or the other, sending you racing off into a new element.

Let’s look at anticipation first. It can be fun to throw the reader straight into the thick of it, but I like to have a little context first – a quick taste of normality before the inciting incident (that first, dizzying drop after the lift hill) arrives to snatch it away.

This was especially important for The Train To Impossible Places as Suzy, our main character, is a staunch rationalist who thinks she’s got things figured out. I needed to show her calm and in control before I crashed a magic train into her life. Even in those first brief chapters, however, the strangeness is creeping in at the edges, priming us for the chaos we know is coming.

When it arrives, I make sure it’s big and loud and fast and (hopefully) funny – a satisfying payoff to reward the reader’s patience. Then it’s a question of knowing exactly how long to keep the story at that pace before I ease up and give the reader a little time to reorient themselves. Too much action can be dull, and the sudden appearance of too many plot elements can be confusing, so it’s a question of including only what is strictly necessary and dispensing with the rest.

In practical terms, I’ve found this means I jettison about eighty per cent of my exposition, background and world building. I spend months cooking them up, and only trace elements survive to the final draft, but by then they’ve informed every line of dialogue and description, so the flavour remains. After all, you don’t need to know how Lady Crepuscula came by her army of statues, you just need to know that they’re there.

Anticipation, release; anticipation, release. It’s exactly how roller coasters work, and it’s not a bad model for an exciting story.

Oh, and one very quick word on cliffhangers, as they’re a key element in the anticipation-release equation: write the whole nerve-wracking, perilous scene, then put your chapter break anywhere from the end of the first sentence to the end of the first paragraph.

I could go on, but the trick is to always leave them wanting more.


P. G. Bell, author of The Train to Impossible Places


Giveaway!

153967247773250051.png

So to celebrate the blog tour of The Train to Impossible Places, I am delighted to say that Usborne has kindly given me one hardback copy to give away to one of my followers on Twitter. If you’d like a chance of winning this superb prize, simply retweet (RT) this tweet!


Big thanks to Peter, Fritha and Usborne for sending me a proof copy and beautifully-illustrated finished copy of The Train to Impossible Places.
Extra thanks to Peter for writing his utterly fantastic guest post!

Mr E

The Train to Impossible Places is now available to order online or from any good bookshop.


DpU5-K6X4AEi27y.jpg

Be sure to check out the other dates and other bloggers for more reviews and exclusive posts from Peter on the The Train to Impossible Places blog tour this week!